{"id":4580,"date":"2021-06-11T21:48:47","date_gmt":"2021-06-11T21:48:47","guid":{"rendered":"https:\/\/blog.ackgame.com\/onwords\/?p=4580"},"modified":"2021-06-12T19:19:51","modified_gmt":"2021-06-12T19:19:51","slug":"my-music-playlists","status":"publish","type":"post","link":"https:\/\/blog.ackgame.com\/onwords\/my-music-playlists\/","title":{"rendered":"My music playlists"},"content":{"rendered":"<p>Musical taste is personal, of course, and beyond dispute, although it can be fun to argue about it. I like to tell people that rock &#8216;n&#8217; roll ended in 1968 and nothing after that was rock and none of what was called rock was worth listening to. That usually gets a strong response. It&#8217;s not true, of course. I like a few things in the rock genre after that date and you&#8217;ll find some in my playlist below, although not much. You see, I left for my year abroad in the fall of 1968 for Japan and returned the following summer. There was no American rock music there and when I returned, it seemed everything had changed. I didn&#8217;t like the rock stuff that was playing except for the oldies, so I listened exclusively to the oldies stations.<\/p>\n<p>I also learned some great ragtime guitar while in Japan from a fellow American guitarist. I spent law school learning to love ragtime, boogie woogie and blues. Over the next few years the so-called rock on the radio was no longer rock n roll but Acid Rock or Heavy Metal or Disco or rap or Emo. I began to appreciate earlier eras&#8217; music and close vocal harmony: barbershop quartets and the Andrews sisters, bluegrass, and big band (swing era). Of course, I still like the original rock and roll I grew up on. There are things I sometimes like that aren&#8217;t on my playlists, such as ambient music or string quartets because I have to be in the right mood for those. There are also things from early decades I never developed a taste for, like modern jazz or pop &#8220;standards.&#8221;\u00a0 I like bluegrass and delta blues and a few country songs, but in general I don&#8217;t like mainstream country. Anyway, below is what I listen to now. I have these on my computer and play them through my stereo in my office and on my phone where I can play them through bluetooth in the car. You aren&#8217;t going to find much below recorded after 1968, and what was, is largely stuff written and first performed decades earlier.<\/p>\n<p>The performers I listen to most often are Carl &#8220;Sonny&#8221; Leyland, Eubie Blake, Doc Watson, Trebor Tichenor, Chuck Berry, Pat Donohoe, Mary Flower, Stefan Grossman. There are a few songs for which I don&#8217;t have the name of the performer. Those may have been recorded from YouTube or a radio show, although I always try to find a commercial recording and buy it. I believe performers should be paid. It&#8217;s broken into three playlists, so you&#8217;ll see some of my favorites repeated. That&#8217;s also why they start over alphabetically twice.<\/p>\n<table width=\"533\">\n<tbody>\n<tr>\n<td width=\"379\">59th St. Bridge Song<\/td>\n<td width=\"154\">Simon &amp; Garfunkel<\/td>\n<\/tr>\n<tr>\n<td>A Beautiful Life<\/td>\n<td>Bill Monroe<\/td>\n<\/tr>\n<tr>\n<td>A Real Slow Drag<\/td>\n<td>Scott Joplin<\/td>\n<\/tr>\n<tr>\n<td>Above My Head, I hear Music In The Air<\/td>\n<td>Gas House Gang<\/td>\n<\/tr>\n<tr>\n<td>All Shook Up<\/td>\n<td>Elvis Presley<\/td>\n<\/tr>\n<tr>\n<td>Arkansas Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Arkansas Ramble<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>At Last<\/td>\n<td>Etta James<\/td>\n<\/tr>\n<tr>\n<td>Backwater Blues<\/td>\n<td>Albert Ammons<\/td>\n<\/tr>\n<tr>\n<td>Bad Moon Rising<\/td>\n<td>Creedence<\/td>\n<\/tr>\n<tr>\n<td>Barnyard Shuffle<\/td>\n<td>Chet Atkins<\/td>\n<\/tr>\n<tr>\n<td>Basin Street Blues<\/td>\n<td>Bing Crosby<\/td>\n<\/tr>\n<tr>\n<td>Beat Me Daddy<\/td>\n<td>Andrews Sisters<\/td>\n<\/tr>\n<tr>\n<td>Bert Williams<\/td>\n<td>Butch Thompson<\/td>\n<\/tr>\n<tr>\n<td>Betty &amp; Dupree<\/td>\n<td>Peter Paul &amp; Mary<\/td>\n<\/tr>\n<tr>\n<td>Bill Bailey Won&#8217;t You Please Come Home<\/td>\n<td>The Weavers<\/td>\n<\/tr>\n<tr>\n<td>Blowing Bubbles Boogie<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Blue Champagne<\/td>\n<td>Manhattan Transfer<\/td>\n<\/tr>\n<tr>\n<td>Blue Moon<\/td>\n<td>Marcels<\/td>\n<\/tr>\n<tr>\n<td>Blues Stay Away from Me (feat. Eg Kight)<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>Boll Weevil Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Boogie Woogie Stomp<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Boy From New York City<\/td>\n<td>Manhattan Transfer<\/td>\n<\/tr>\n<tr>\n<td>But on the Other Hand Baby<\/td>\n<td>Etta Baker<\/td>\n<\/tr>\n<tr>\n<td>Buxtehude organ<\/td>\n<td>Buxtehude<\/td>\n<\/tr>\n<tr>\n<td>Call Me<\/td>\n<td>Blondie<\/td>\n<\/tr>\n<tr>\n<td>Carle Boogie<\/td>\n<td>Frankie Carle<\/td>\n<\/tr>\n<tr>\n<td>Cataract Rag<\/td>\n<td>Scott Joplin<\/td>\n<\/tr>\n<tr>\n<td>Chain of Fools<\/td>\n<td>Aretha Franklin<\/td>\n<\/tr>\n<tr>\n<td>Chattanooga Choo Choo<\/td>\n<td>Glen Miller<\/td>\n<\/tr>\n<tr>\n<td>Cool Water<\/td>\n<td>Sons of the Pioneers<\/td>\n<\/tr>\n<tr>\n<td>Country Honk<\/td>\n<td>Rolling Stones<\/td>\n<\/tr>\n<tr>\n<td>Creole Belles<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Crow Jane<\/td>\n<td>Etta Baker<\/td>\n<\/tr>\n<tr>\n<td>CSL Blues<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Dancin the Boogie<\/td>\n<td>Sylvan Zingg<\/td>\n<\/tr>\n<tr>\n<td>Daydream<\/td>\n<td>Lovin&#8217; Spoonful<\/td>\n<\/tr>\n<tr>\n<td>Days Beyond Recall<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Deep Ellum Blues<\/td>\n<td>Bill Foss &amp; Meredith Axelrod<\/td>\n<\/tr>\n<tr>\n<td>Delta Crossroads<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>Dengozo<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Did You Ever Have to Make up Your Mind<\/td>\n<td>Lovin&#8217; Spoonful<\/td>\n<\/tr>\n<tr>\n<td>Dixie Blossoms<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Dixie Queen<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Dueling Banjos<\/td>\n<td>Keith Billik<\/td>\n<\/tr>\n<tr>\n<td>Easier Said Than Done<\/td>\n<td>The Essex<\/td>\n<\/tr>\n<tr>\n<td>Eubie&#8217;s Boogie<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Fare Thee Honey Blues<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>Fennario<\/td>\n<td>Joan Baez<\/td>\n<\/tr>\n<tr>\n<td>Fizz Water<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Foggy Mountain Breakdown<\/td>\n<td>Osborne Brothers<\/td>\n<\/tr>\n<tr>\n<td>Forty-Second Street<\/td>\n<td>Boswell Sisters<\/td>\n<\/tr>\n<tr>\n<td>Gee Whiz<\/td>\n<td>Pat Donohoe &amp; Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Get Rhythm<\/td>\n<td>Rev. Horton Heat<\/td>\n<\/tr>\n<tr>\n<td>Gimme Shelter<\/td>\n<td>Rolling Stones<\/td>\n<\/tr>\n<tr>\n<td>Going Down the Road Feeling Bad<\/td>\n<td>Etta Baker<\/td>\n<\/tr>\n<tr>\n<td>Good Vibrations<\/td>\n<td>Beach Boys<\/td>\n<\/tr>\n<tr>\n<td>Grapevine Gaye<\/td>\n<td>Marvin Gaye<\/td>\n<\/tr>\n<tr>\n<td>Hammerhead<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Handful of Keys<\/td>\n<td>Judy Carmichael<\/td>\n<\/tr>\n<tr>\n<td>Heart Of Glass<\/td>\n<td>Blondie<\/td>\n<\/tr>\n<tr>\n<td>He&#8217;ll Have to Go<\/td>\n<td>Jim Reeves<\/td>\n<\/tr>\n<tr>\n<td>Henri&#8217;s Boogie<\/td>\n<td>Henri Herbert<\/td>\n<\/tr>\n<tr>\n<td>Hey Baby<\/td>\n<td>Bruce Channel<\/td>\n<\/tr>\n<tr>\n<td>Hit the Road Jack<\/td>\n<td>Ray Charles<\/td>\n<\/tr>\n<tr>\n<td>Hot Rod Lincoln<\/td>\n<td>Commander Cody<\/td>\n<\/tr>\n<tr>\n<td>I Ain&#8217;t Got Nobody<\/td>\n<td>Judy Carmichael<\/td>\n<\/tr>\n<tr>\n<td>I am a Pilgrim<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>I Feel Good<\/td>\n<td>James Brown<\/td>\n<\/tr>\n<tr>\n<td>I Got You, Babe<\/td>\n<td>Sonny and Cher<\/td>\n<\/tr>\n<tr>\n<td>I like It Like That<\/td>\n<td>Chris Kenner<\/td>\n<\/tr>\n<tr>\n<td>If You Don&#8217;t Want Me Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>I&#8217;m Walkin<\/td>\n<td>Fats Domino<\/td>\n<\/tr>\n<tr>\n<td>It Don&#8217;t Mean a Thing<\/td>\n<td>Rooftop Singers<\/td>\n<\/tr>\n<tr>\n<td>Jackhammer Blues<\/td>\n<td>The Weavers<\/td>\n<\/tr>\n<tr>\n<td>Java Jive<\/td>\n<td>Manhattan Transfer<\/td>\n<\/tr>\n<tr>\n<td>Jesu, Joy of Man&#8217;s Desiring<\/td>\n<td>Leo Kottke<\/td>\n<\/tr>\n<tr>\n<td>Jingles<\/td>\n<td>James P. Johnson<\/td>\n<\/tr>\n<tr>\n<td>Jitters<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Just Walk On In<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Keep A Knockin<\/td>\n<td>Little Richard<\/td>\n<\/tr>\n<tr>\n<td>Kilakila Slack<\/td>\n<td>Raymond Kane<\/td>\n<\/tr>\n<tr>\n<td>Lady Madonna<\/td>\n<td>The Beatles<\/td>\n<\/tr>\n<tr>\n<td>Lei &#8216;Awapuhi (Yellow Ginger Lei)<\/td>\n<td>Bob Brozman<\/td>\n<\/tr>\n<tr>\n<td>Let the Good Times Roll<\/td>\n<td>Lee &amp; Shirley<\/td>\n<\/tr>\n<tr>\n<td>Let&#8217;s Twist Again<\/td>\n<td>Chubby Checker<\/td>\n<\/tr>\n<tr>\n<td>Leyenda<\/td>\n<td>Thibaut Garcia<\/td>\n<\/tr>\n<tr>\n<td>Lollipop<\/td>\n<td>Chordettes<\/td>\n<\/tr>\n<tr>\n<td>Long Tall Sally<\/td>\n<td>Little Richard<\/td>\n<\/tr>\n<tr>\n<td>Loud Boogie<\/td>\n<td>Preacher Jack<\/td>\n<\/tr>\n<tr>\n<td>Lucille<\/td>\n<td>Little Richard<\/td>\n<\/tr>\n<tr>\n<td>Malaguena<\/td>\n<td>Chet Atkins<\/td>\n<\/tr>\n<tr>\n<td>Maple Leaf Rag<\/td>\n<td>Joshua Rifkind<\/td>\n<\/tr>\n<tr>\n<td>Memphis Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Midnight Special<\/td>\n<td>Leadbelly<\/td>\n<\/tr>\n<tr>\n<td>Miss Delta<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Mission Bell<\/td>\n<td>Donnie Brooks<\/td>\n<\/tr>\n<tr>\n<td>Mississippi Mud<\/td>\n<td>McGuire Sisters<\/td>\n<\/tr>\n<tr>\n<td>Moonlight Boogie<\/td>\n<td>Preacher Jack<\/td>\n<\/tr>\n<tr>\n<td>Mr Freddy Blues<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Mule Skinner Blues<\/td>\n<td>Fendermen<\/td>\n<\/tr>\n<tr>\n<td>Music Hall Stomp<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Music in the Air<\/td>\n<td>Gas House Gang<\/td>\n<\/tr>\n<tr>\n<td>My Dixie Darlin<\/td>\n<td>Nashville Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Na Hoa Slack<\/td>\n<td>Raymond Kane<\/td>\n<\/tr>\n<tr>\n<td>Night Owl Blues<\/td>\n<td>Lovin&#8217; Spoonful<\/td>\n<\/tr>\n<tr>\n<td>Night Train<\/td>\n<td>Buddy Morrow<\/td>\n<\/tr>\n<tr>\n<td>NutRocker<\/td>\n<td>B. Bumble<\/td>\n<\/tr>\n<tr>\n<td>Old Time Rock &amp; Roll<\/td>\n<td>Bob Seger<\/td>\n<\/tr>\n<tr>\n<td>On The Road Again<\/td>\n<td>Canned Heat<\/td>\n<\/tr>\n<tr>\n<td>Operator<\/td>\n<td>Manhattan Transfer<\/td>\n<\/tr>\n<tr>\n<td>Orange Blossom Special<\/td>\n<td>The Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Over In The Gloryland<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Pallett on Your Dirty Floor<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>Peter Gunn Theme<\/td>\n<td>Blues Brothers<\/td>\n<\/tr>\n<tr>\n<td>Pierre&#8217;s Blues<\/td>\n<td>Andrea Valeri<\/td>\n<\/tr>\n<tr>\n<td>Pinetop&#8217;s Boogie<\/td>\n<td>Bing Crosby<\/td>\n<\/tr>\n<tr>\n<td>Police Dog Blues<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>Pretty Woman<\/td>\n<td>Roy Orbison<\/td>\n<\/tr>\n<tr>\n<td>Quarter to Three<\/td>\n<td>Gary U.S. Bonds<\/td>\n<\/tr>\n<tr>\n<td>Rabson Blue Boogie<\/td>\n<td>Ann Rabson<\/td>\n<\/tr>\n<tr>\n<td>Radio Hula<\/td>\n<td>Leward Kaapana<\/td>\n<\/tr>\n<tr>\n<td>Ragtime Nightmare<\/td>\n<td>Ton Van Bergeyk<\/td>\n<\/tr>\n<tr>\n<td>Railroad Bill<\/td>\n<td>Etta Baker<\/td>\n<\/tr>\n<tr>\n<td>Rainbeau medley<\/td>\n<td>Craig Ventresco<\/td>\n<\/tr>\n<tr>\n<td>Raise the Devil<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Raunchy<\/td>\n<td>Bill Justis<\/td>\n<\/tr>\n<tr>\n<td>Reelin and a Rockin<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<tr>\n<td>Rockin&#8217; Pneumonia And The Boogie Woogie Flu<\/td>\n<td>Johnny Rivers<\/td>\n<\/tr>\n<tr>\n<td>Roll Over Beethoven<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<tr>\n<td>Route 66<\/td>\n<td>3 Men &amp; a Melody<\/td>\n<\/tr>\n<tr>\n<td>Rueben&#8217;s Train<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Runaway<\/td>\n<td>Del Shannon<\/td>\n<\/tr>\n<tr>\n<td>Saint Louis Blues<\/td>\n<td>Boswell Sisters<\/td>\n<\/tr>\n<tr>\n<td>Sea Cruise<\/td>\n<td>Frankie Ford<\/td>\n<\/tr>\n<tr>\n<td>See See Rider<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>San Francisco Bay Blues<\/td>\n<td>Peter Paul &amp; Mary<\/td>\n<\/tr>\n<tr>\n<td>Shimmy Like My Sister Kate<\/td>\n<td>Ditty Bops<\/td>\n<\/tr>\n<tr>\n<td>Shirt Tail Stomp<\/td>\n<td>Benny Goodman<\/td>\n<\/tr>\n<tr>\n<td>Shoeshine Man<\/td>\n<td>Tom T. Hall<\/td>\n<\/tr>\n<tr>\n<td>Short PHC Rag<\/td>\n<td>Prairie Home Companion<\/td>\n<\/tr>\n<tr>\n<td>Shuffle Boogie<\/td>\n<td>Albert Ammons<\/td>\n<\/tr>\n<tr>\n<td>Sing, Sing, Sing<\/td>\n<td>Benny Goodman<\/td>\n<\/tr>\n<tr>\n<td>Sixteen Tons<\/td>\n<td>Gas House Gang<\/td>\n<\/tr>\n<tr>\n<td>Someone To Love<\/td>\n<td>Buddy Holly<\/td>\n<\/tr>\n<tr>\n<td>Something Doing<\/td>\n<td>Craig Ventresco<\/td>\n<\/tr>\n<tr>\n<td>South Nashville Blues<\/td>\n<td>Steve Earle<\/td>\n<\/tr>\n<tr>\n<td>Spanish Fandango<\/td>\n<td>Etta Baker<\/td>\n<\/tr>\n<tr>\n<td>Spirit In The Sky<\/td>\n<td>Norman Greenbaum<\/td>\n<\/tr>\n<tr>\n<td>St Louis Blues<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Stackalee<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Statesboro Blues<\/td>\n<td>Roy Bookbinder<\/td>\n<\/tr>\n<tr>\n<td>Stayin&#8217; Alive<\/td>\n<td>Bee Gees<\/td>\n<\/tr>\n<tr>\n<td>Stompin The Grapes<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Suitcase Blues<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Sunday Street<\/td>\n<td>Dave Van Ronk<\/td>\n<\/tr>\n<tr>\n<td>Swanee<\/td>\n<td>George Gershwin<\/td>\n<\/tr>\n<tr>\n<td>Take a Chance on Me<\/td>\n<td>ABBA<\/td>\n<\/tr>\n<tr>\n<td>Take Five<\/td>\n<td>Dave Brubeck<\/td>\n<\/tr>\n<tr>\n<td>Tequila<\/td>\n<td>Champs<\/td>\n<\/tr>\n<tr>\n<td>The Crave<\/td>\n<td>Butch Thompson<\/td>\n<\/tr>\n<tr>\n<td>The End Of Our Road<\/td>\n<td>Gladys Knight<\/td>\n<\/tr>\n<tr>\n<td>The Midnight Special<\/td>\n<td>The Weavers<\/td>\n<\/tr>\n<tr>\n<td>The Millwhistle<\/td>\n<td>Jalan Crossland<\/td>\n<\/tr>\n<tr>\n<td>The Stars and Stripes Forever<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Things Is &#8216;Bout Comin&#8217; My Way<\/td>\n<td>Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Think<\/td>\n<td>Katharine McPhee<\/td>\n<\/tr>\n<tr>\n<td>Distant Lights<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Tim Sparks Guitar Boogie<\/td>\n<td>Tim Sparks<\/td>\n<\/tr>\n<tr>\n<td>Tutti-Frutti<\/td>\n<td>Little Richard<\/td>\n<\/tr>\n<tr>\n<td>Tuxedo Junction<\/td>\n<td>Glen Miller<\/td>\n<\/tr>\n<tr>\n<td>Tweedlee Dee<\/td>\n<td>LaVern Baker<\/td>\n<\/tr>\n<tr>\n<td>Untitled Ammons Original<\/td>\n<td>Albert Ammons<\/td>\n<\/tr>\n<tr>\n<td>Walk (Back to Your Arms)<\/td>\n<td>Tami Neilson<\/td>\n<\/tr>\n<tr>\n<td>Walk Don&#8217;t Run<\/td>\n<td>Ventures<\/td>\n<\/tr>\n<tr>\n<td>Warm Baby<\/td>\n<td>Lovin&#8217; Spoonful<\/td>\n<\/tr>\n<tr>\n<td>Wayward Wind<\/td>\n<td>Gogi Grant<\/td>\n<\/tr>\n<tr>\n<td>When I Go Walkin<\/td>\n<td>Jim Henry &amp; Brooks Williams<\/td>\n<\/tr>\n<tr>\n<td>When You&#8217;re Next To Me (Album Version)<\/td>\n<td>Mitch &amp; Mickey<\/td>\n<\/tr>\n<tr>\n<td>Will The Circle Be Unbroken<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Wipeout<\/td>\n<td>Surfaris<\/td>\n<\/tr>\n<tr>\n<td>Yazoo Basin Boogie<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>Yes, You Done It<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Yonder Come the Blues<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>You Got to Know How<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>Zorba the Greek<\/td>\n<td>Chet Atkins<\/td>\n<\/tr>\n<tr>\n<td>88er on Decatur<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>96 Tears<\/td>\n<td>Question Mark &amp; the Mysterions<\/td>\n<\/tr>\n<tr>\n<td>A String of Pearls<\/td>\n<td>Glen Miller<\/td>\n<\/tr>\n<tr>\n<td>Alexander&#8217;s Ragtime Band<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Anything Goes<\/td>\n<td>Cole Porter<\/td>\n<\/tr>\n<tr>\n<td>Apache<\/td>\n<td>Ventures<\/td>\n<\/tr>\n<tr>\n<td>Apeda Rag<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Arkansas Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Arkansas Ramble<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>At Last<\/td>\n<td>Etta James<\/td>\n<\/tr>\n<tr>\n<td>Baltimore Todolo<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Barrelhouse Drag<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Bloomington Breakdown (Live)<\/td>\n<td>Craig Brenner<\/td>\n<\/tr>\n<tr>\n<td>Blow Your Whistle<\/td>\n<td>Delmore Brothers<\/td>\n<\/tr>\n<tr>\n<td>Blue Champagne<\/td>\n<td>Manhattan Transfer<\/td>\n<\/tr>\n<tr>\n<td>Blue Fandango<\/td>\n<td>Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Boogie Bugle Boy Andrews<\/td>\n<td>Andrews Sisters<\/td>\n<\/tr>\n<tr>\n<td>Boogie Woogie Dance<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Boxcar Boogie<\/td>\n<td>Dr. John<\/td>\n<\/tr>\n<tr>\n<td>Bumble Boogie<\/td>\n<td>B. Bumble<\/td>\n<\/tr>\n<tr>\n<td>Buxtehude organ (regal)<\/td>\n<td>Buxtehude<\/td>\n<\/tr>\n<tr>\n<td>Careless Love<\/td>\n<td>Pinetop Perkins<\/td>\n<\/tr>\n<tr>\n<td>Charleston Rag<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Colonial Glide<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Come Softly to Me<\/td>\n<td>Fleetwoods<\/td>\n<\/tr>\n<tr>\n<td>Completely<\/td>\n<td>Caro Emerald<\/td>\n<\/tr>\n<tr>\n<td>Corrina, Corrina<\/td>\n<td>Mickey Baker<\/td>\n<\/tr>\n<tr>\n<td>Creole Belles<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Crow Jane<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>CSL unknown<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Dangerous Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Deep Purple<\/td>\n<td>Nino Temple &amp; April Stevens<\/td>\n<\/tr>\n<tr>\n<td>Deep River Blues<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Dixie Queen<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Dogtown Blues<\/td>\n<td>Bob Crosby<\/td>\n<\/tr>\n<tr>\n<td>Done Tore Your Playhouse Down<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Don&#8217;t Bring Me Down<\/td>\n<td>Electric Light Orchestra<\/td>\n<\/tr>\n<tr>\n<td>Down the Road Apiece<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<tr>\n<td>Downhome Blues<\/td>\n<td>Daddy Stovepipe<\/td>\n<\/tr>\n<tr>\n<td>Dream Rag<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Drivin&#8217; Blues<\/td>\n<td>Pat Donohoe<\/td>\n<\/tr>\n<tr>\n<td>E and N Blues<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Easy Street<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>Eubie&#8217;s Boogie<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Fare Thee Honey Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Fizz Water<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Freight Train<\/td>\n<td>Peter Paul &amp; Mary<\/td>\n<\/tr>\n<tr>\n<td>Get In Line<\/td>\n<td>Marty Stuart<\/td>\n<\/tr>\n<tr>\n<td>Gettin&#8217; It Done<\/td>\n<td>Butch Thompson<\/td>\n<\/tr>\n<tr>\n<td>Gin Mill Blues<\/td>\n<td>Bob Crosby<\/td>\n<\/tr>\n<tr>\n<td>Goin Back<\/td>\n<td>Delmore Brothers<\/td>\n<\/tr>\n<tr>\n<td>Goin&#8217; To Sit Down On The Banks Of The River<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Going Up The Country<\/td>\n<td>Canned Heat<\/td>\n<\/tr>\n<tr>\n<td>Good Golly Miss Molly<\/td>\n<td>Little Richard<\/td>\n<\/tr>\n<tr>\n<td>Granada<\/td>\n<td>Maestro Jerard<\/td>\n<\/tr>\n<tr>\n<td>Grapevine<\/td>\n<td>Creedence<\/td>\n<\/tr>\n<tr>\n<td>Great Balls of Fire<\/td>\n<td>Jerry Lee Lewis<\/td>\n<\/tr>\n<tr>\n<td>Guitar Rag<\/td>\n<td>Merle Travis<\/td>\n<\/tr>\n<tr>\n<td>Hard, Ain&#8217;t It Hard<\/td>\n<td>Cisco Houston<\/td>\n<\/tr>\n<tr>\n<td>Harlem Parlor Blues<\/td>\n<td>Sammy Price<\/td>\n<\/tr>\n<tr>\n<td>Heart Of Glass<\/td>\n<td>Blondie<\/td>\n<\/tr>\n<tr>\n<td>He&#8217;ll Have to Go<\/td>\n<td>Jim Reeves<\/td>\n<\/tr>\n<tr>\n<td>Henri&#8217;s Boogie<\/td>\n<td>Henri Herbert<\/td>\n<\/tr>\n<tr>\n<td>He&#8217;s So Fine<\/td>\n<td>Chiffons<\/td>\n<\/tr>\n<tr>\n<td>Hilo E-E Lili&#8217;u E<\/td>\n<td>Bob Brozman<\/td>\n<\/tr>\n<tr>\n<td>Honkin&#8217;<\/td>\n<td>Jerry Reed<\/td>\n<\/tr>\n<tr>\n<td>Hot Rod Lincoln<\/td>\n<td>Commander Cody<\/td>\n<\/tr>\n<tr>\n<td>Hudson River Rag<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>I Got a Woman<\/td>\n<td>Ray Charles<\/td>\n<\/tr>\n<tr>\n<td>I Got Rhythm Medley<\/td>\n<td>Max Q<\/td>\n<\/tr>\n<tr>\n<td>I&#8217;m Blue (Gong Gong song)<\/td>\n<td>Ikettes<\/td>\n<\/tr>\n<tr>\n<td>I&#8217;m Mississippi Bound<\/td>\n<td>Delmore Brothers<\/td>\n<\/tr>\n<tr>\n<td>I&#8217;m Saved<\/td>\n<td>Uppity Blues women<\/td>\n<\/tr>\n<tr>\n<td>In the Mood<\/td>\n<td>Glen Miller<\/td>\n<\/tr>\n<tr>\n<td>It Don&#8217;t Mean a Thing<\/td>\n<td>Rooftop Singers<\/td>\n<\/tr>\n<tr>\n<td>It&#8217;s All Over Now<\/td>\n<td>Rolling Stones<\/td>\n<\/tr>\n<tr>\n<td>Jerry&#8217;s Breakdown<\/td>\n<td>Jerry Reed<\/td>\n<\/tr>\n<tr>\n<td>K.C. Man Blues<\/td>\n<td>Pat Donohoe &amp; Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Kansas City<\/td>\n<td>Wilbert Harrison<\/td>\n<\/tr>\n<tr>\n<td>Kilakila Slack<\/td>\n<td>Raymond Kane<\/td>\n<\/tr>\n<tr>\n<td>King of the Road<\/td>\n<td>Roger Miller<\/td>\n<\/tr>\n<tr>\n<td>Last Night<\/td>\n<td>Mar-Keys<\/td>\n<\/tr>\n<tr>\n<td>Let&#8217;s Dance<\/td>\n<td>Chris Montez<\/td>\n<\/tr>\n<tr>\n<td>Locomotion<\/td>\n<td>Little Eva<\/td>\n<\/tr>\n<tr>\n<td>Maple Leaf Rag<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Memphis Blues<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Mend Concert Piece 1 Clarinet Bassett Horn Pt 2<\/td>\n<td>Prague Philharmonic<\/td>\n<\/tr>\n<tr>\n<td>Midnight Steppers<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Mississippi Blues #3<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>Mule Skinner Fendermen<\/td>\n<td>Fendermen<\/td>\n<\/tr>\n<tr>\n<td>Music in the Air<\/td>\n<td>Gas House Gang<\/td>\n<\/tr>\n<tr>\n<td>My Dixie Darlin<\/td>\n<td>Nashville Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>My Honey&#8217;s Lovin&#8217; Arms<\/td>\n<td>Pat Donohoe &amp; Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Near the Cross I Watch and Pray<\/td>\n<td>Etta Baker<\/td>\n<\/tr>\n<tr>\n<td>New Orleans<\/td>\n<td>Gary U.S. Bonds<\/td>\n<\/tr>\n<tr>\n<td>Night Train<\/td>\n<td>Buddy Morrow<\/td>\n<\/tr>\n<tr>\n<td>Nyquil Blues<\/td>\n<td>Alvin Crow<\/td>\n<\/tr>\n<tr>\n<td>Old Joe Clark<\/td>\n<td>Jim Greer<\/td>\n<\/tr>\n<tr>\n<td>Old Time Rock &amp; Roll<\/td>\n<td>Bob Seger<\/td>\n<\/tr>\n<tr>\n<td>On Her Majesty&#8217;s Secret Service<\/td>\n<td>John Barry<\/td>\n<\/tr>\n<tr>\n<td>On the Mississippi<\/td>\n<td>Claude Bolling<\/td>\n<\/tr>\n<tr>\n<td>One Fine Day<\/td>\n<td>Chiffons<\/td>\n<\/tr>\n<tr>\n<td>One Kind Favor<\/td>\n<td>Lightnin&#8217; Hopkins<\/td>\n<\/tr>\n<tr>\n<td>Over In The Gloryland<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Peter Gunn Theme<\/td>\n<td>Blues Brothers<\/td>\n<\/tr>\n<tr>\n<td>Pinafore (When I Was a Lad)<\/td>\n<td>D&#8217;Oyly Carte Opera Co.<\/td>\n<\/tr>\n<tr>\n<td>Pineapple Rag<\/td>\n<td>Ton Van Bergeyk<\/td>\n<\/tr>\n<tr>\n<td>Police Dog Blues<\/td>\n<td>Etta Baker<\/td>\n<\/tr>\n<tr>\n<td>Rabson Blue Boogie<\/td>\n<td>Ann Rabson<\/td>\n<\/tr>\n<tr>\n<td>Rag Mama<\/td>\n<td>Tom Rush<\/td>\n<\/tr>\n<tr>\n<td>Ragtime Blues<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Raise the Devil<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Rock and Roll Music<\/td>\n<td>Beach Boys<\/td>\n<\/tr>\n<tr>\n<td>School Day<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<tr>\n<td>Schubert&#8217;s Unfinished (intro)<\/td>\n<td>Chicago Symphony<\/td>\n<\/tr>\n<tr>\n<td>Sensation<\/td>\n<td>Guido Nielsen<\/td>\n<\/tr>\n<tr>\n<td>Sentimental Gentleman from Georgia<\/td>\n<td>Meredith Axelrod<\/td>\n<\/tr>\n<tr>\n<td>Shirt Tail Stomp<\/td>\n<td>Benny Goodman<\/td>\n<\/tr>\n<tr>\n<td>Shop Around<\/td>\n<td>Miracles<\/td>\n<\/tr>\n<tr>\n<td>Siboney<\/td>\n<td>Pat Donohoe &amp; Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Sittin&#8217; Here Pickin&#8217; the Blues<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>So Fine<\/td>\n<td>The Fiestas<\/td>\n<\/tr>\n<tr>\n<td>So Spaketh the Blues<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Solace<\/td>\n<td>Ton Van Bergeyk<\/td>\n<\/tr>\n<tr>\n<td>Son of a Preacher Man<\/td>\n<td>Erma Franklin<\/td>\n<\/tr>\n<tr>\n<td>Southside Stuff<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>St. Louis Blues<\/td>\n<td>John Fahey<\/td>\n<\/tr>\n<tr>\n<td>Stagger Lee<\/td>\n<td>Lloyd Price<\/td>\n<\/tr>\n<tr>\n<td>Statesboro Blues<\/td>\n<td>Pat Donohoe<\/td>\n<\/tr>\n<tr>\n<td>Sugar<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>Summer in the City<\/td>\n<td>Lovin&#8217; Spoonful<\/td>\n<\/tr>\n<tr>\n<td>Sunday Street<\/td>\n<td>Dave Van Ronk<\/td>\n<\/tr>\n<tr>\n<td>Sunny Afternoon<\/td>\n<td>Kinks<\/td>\n<\/tr>\n<tr>\n<td>Sweet Man<\/td>\n<td>Jelly Roll Morton<\/td>\n<\/tr>\n<tr>\n<td>Sword Dance<\/td>\n<td>Sergi Vicente<\/td>\n<\/tr>\n<tr>\n<td>Take a Chance on Me<\/td>\n<td>ABBA<\/td>\n<\/tr>\n<tr>\n<td>Teasin&#8217; Rag<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>That&#8217;ll Be The Day<\/td>\n<td>Buddy Holly<\/td>\n<\/tr>\n<tr>\n<td>The Claw<\/td>\n<td>Jerry Reed<\/td>\n<\/tr>\n<tr>\n<td>The Entertainer<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>The Good Fellow Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>These Boots Are Made for Walkin&#8217;<\/td>\n<td>Nancy Sinatra<\/td>\n<\/tr>\n<tr>\n<td>Think<\/td>\n<td>Aretha Franklin<\/td>\n<\/tr>\n<tr>\n<td>This Train<\/td>\n<td>The Weavers<\/td>\n<\/tr>\n<tr>\n<td>Three in One Boogie<\/td>\n<td>Memphis Slim<\/td>\n<\/tr>\n<tr>\n<td>Tim Sparks Mississippi Blues<\/td>\n<td>Tim Sparks<\/td>\n<\/tr>\n<tr>\n<td>Travelin&#8217; Band<\/td>\n<td>Creedence<\/td>\n<\/tr>\n<tr>\n<td>Tripling the Bass<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Tweedlee Dee<\/td>\n<td>LaVern Baker<\/td>\n<\/tr>\n<tr>\n<td>Vatican Rag<\/td>\n<td>Tom Lehrer<\/td>\n<\/tr>\n<tr>\n<td>Walk (Back to Your Arms)<\/td>\n<td>Tami Neilson<\/td>\n<\/tr>\n<tr>\n<td>Walk Right In<\/td>\n<td>Glen Campbell<\/td>\n<\/tr>\n<tr>\n<td>When You&#8217;re Next To Me (Album Version)<\/td>\n<td>Mitch &amp; Mickey<\/td>\n<\/tr>\n<tr>\n<td>Will The Circle Be Unbroken<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Windy and Warm<\/td>\n<td>Tommy Emmanuel<\/td>\n<\/tr>\n<tr>\n<td>Wipeout<\/td>\n<td>Donna Langdon Stearns<\/td>\n<\/tr>\n<tr>\n<td>Yakety Axe<\/td>\n<td>Chet Atkins<\/td>\n<\/tr>\n<tr>\n<td>Yancey&#8217;s Bugle Call<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Yonder Come the Blues<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>You Really Got Me<\/td>\n<td>Kinks<\/td>\n<\/tr>\n<tr>\n<td>12th Street Boogie<\/td>\n<td>Preacher Jack<\/td>\n<\/tr>\n<tr>\n<td>409<\/td>\n<td>Beach Boys<\/td>\n<\/tr>\n<tr>\n<td>A Fifth of Beethoven<\/td>\n<td>Walter Murphy<\/td>\n<\/tr>\n<tr>\n<td>Anything Goes<\/td>\n<td>Cole Porter<\/td>\n<\/tr>\n<tr>\n<td>Arkansas Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Arkansas Ramble<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>At Last<\/td>\n<td>Etta James<\/td>\n<\/tr>\n<tr>\n<td>At the Hop<\/td>\n<td>Danny and the Juniors<\/td>\n<\/tr>\n<tr>\n<td>Baby Love<\/td>\n<td>Supremes<\/td>\n<\/tr>\n<tr>\n<td>Bach Prelude #1<\/td>\n<td>Ramiro Schiavoni<\/td>\n<\/tr>\n<tr>\n<td>Ballin&#8217; the Jack<\/td>\n<td>John James<\/td>\n<\/tr>\n<tr>\n<td>Barbra Ann<\/td>\n<td>Regents<\/td>\n<\/tr>\n<tr>\n<td>Between The Devil And The Deep Blue Sea<\/td>\n<td>Bob Crosby<\/td>\n<\/tr>\n<tr>\n<td>Black Bottom Stomp<\/td>\n<td>Butch Thompson<\/td>\n<\/tr>\n<tr>\n<td>Blackberry Blossom<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Blue Champagne<\/td>\n<td>Manhattan Transfer<\/td>\n<\/tr>\n<tr>\n<td>Blue Railroad Train<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Blues In The Night<\/td>\n<td>Billy May<\/td>\n<\/tr>\n<tr>\n<td>Boogie Woogie Washer Woman<\/td>\n<td>Andrews Sisters<\/td>\n<\/tr>\n<tr>\n<td>Breathless<\/td>\n<td>Jerry Lee Lewis<\/td>\n<\/tr>\n<tr>\n<td>Brown&#8217;s Ferry Blues<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Bugle Corps Rag<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>By My Side<\/td>\n<td>Barbara Acklin<\/td>\n<\/tr>\n<tr>\n<td>Bye Bye Love<\/td>\n<td>Everly Brothers<\/td>\n<\/tr>\n<tr>\n<td>Cannonball Rag<\/td>\n<td>Lenny Breau<\/td>\n<\/tr>\n<tr>\n<td>Carol of the Bells<\/td>\n<td>Robin Bullock<\/td>\n<\/tr>\n<tr>\n<td>Chantilly Lace<\/td>\n<td>Big Bopper<\/td>\n<\/tr>\n<tr>\n<td>Chicken Chowder<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Chinese Blues<\/td>\n<td>George Gershwin<\/td>\n<\/tr>\n<tr>\n<td>Coffee Rag<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Come to Me<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>Contentment<\/td>\n<td>Guido Nielsen<\/td>\n<\/tr>\n<tr>\n<td>Country In My Genes<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Cow Cow Boogie<\/td>\n<td>Ella May Morse<\/td>\n<\/tr>\n<tr>\n<td>Cowboy Man<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Crazy Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Dancing In The Street<\/td>\n<td>Mamas and the Papas<\/td>\n<\/tr>\n<tr>\n<td>Danza<\/td>\n<td>Muriel Anderson<\/td>\n<\/tr>\n<tr>\n<td>Davis-Travis Rag<\/td>\n<td>Roy Bookbinder<\/td>\n<\/tr>\n<tr>\n<td>Deep In The Ozarks<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Different Times<\/td>\n<td>Laurence Juber<\/td>\n<\/tr>\n<tr>\n<td>Do Not Pass Me By<\/td>\n<td>Prairie Home Companion<\/td>\n<\/tr>\n<tr>\n<td>Dogtown Blues<\/td>\n<td>Bob Crosby<\/td>\n<\/tr>\n<tr>\n<td>Don&#8217;t Tell Your Monkey Man<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Drive Time<\/td>\n<td>Pat Donohoe &amp; Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Early Hours<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Fare Thee Honey Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Fast Boogie<\/td>\n<td>Preacher Jack<\/td>\n<\/tr>\n<tr>\n<td>Fever<\/td>\n<td>Louis Prima<\/td>\n<\/tr>\n<tr>\n<td>Finger Poppin Time<\/td>\n<td>Hank Ballard<\/td>\n<\/tr>\n<tr>\n<td>Fizz Water<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Flight of the Bumble Bee<\/td>\n<td>Jose Feliciano<\/td>\n<\/tr>\n<tr>\n<td>Get Up John<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Ghost Riders in the Sky<\/td>\n<td>Sons of the Pioneers<\/td>\n<\/tr>\n<tr>\n<td>Good Day Sunshine<\/td>\n<td>Beatles<\/td>\n<\/tr>\n<tr>\n<td>Grapevine<\/td>\n<td>Marvin Gaye<\/td>\n<\/tr>\n<tr>\n<td>Green Onions<\/td>\n<td>Booker T &amp; the MGs<\/td>\n<\/tr>\n<tr>\n<td>Heart Of Glass<\/td>\n<td>Blondie<\/td>\n<\/tr>\n<tr>\n<td>He&#8217;ll Have to Go<\/td>\n<td>Jim Reeves<\/td>\n<\/tr>\n<tr>\n<td>Honey Babe Blues<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Honky Tonk Rag<\/td>\n<td>Country Gentlemen<\/td>\n<\/tr>\n<tr>\n<td>Hop Scop Blues<\/td>\n<td>Meredith Axelrod<\/td>\n<\/tr>\n<tr>\n<td>Hot Rod Lincoln<\/td>\n<td>Commander Cody<\/td>\n<\/tr>\n<tr>\n<td>I can&#8217;t sit down<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>I Got Rhythm Medley<\/td>\n<td>Max Q<\/td>\n<\/tr>\n<tr>\n<td>I Hear You Knockin&#8217;<\/td>\n<td>Smiley Lewis<\/td>\n<\/tr>\n<tr>\n<td>If I Needed You<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Imi au la &#8216;Oe<\/td>\n<td>Keola Beamer<\/td>\n<\/tr>\n<tr>\n<td>Imperial March<\/td>\n<td>John Williams<\/td>\n<\/tr>\n<tr>\n<td>Inspector Gadget<\/td>\n<td>Riccardo Bonci<\/td>\n<\/tr>\n<tr>\n<td>It Don&#8217;t Mean a Thing<\/td>\n<td>Rooftop Singers<\/td>\n<\/tr>\n<tr>\n<td>It&#8217;s Right Here For You<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Jamaica Farewell<\/td>\n<td>Harry Belafonte<\/td>\n<\/tr>\n<tr>\n<td>Jambalaya<\/td>\n<td>Hank Williams<\/td>\n<\/tr>\n<tr>\n<td>Jesu, Joy of Man&#8217;s Desiring<\/td>\n<td>Michael Chapdelaine<\/td>\n<\/tr>\n<tr>\n<td>Jimtown Blues<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Johnny B Goode<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<tr>\n<td>Jungle Blues<\/td>\n<td>Benny Goodman<\/td>\n<\/tr>\n<tr>\n<td>Kansas City Stomp<\/td>\n<td>Butch Thompson<\/td>\n<\/tr>\n<tr>\n<td>Kilakila Slack<\/td>\n<td>Raymond Kane<\/td>\n<\/tr>\n<tr>\n<td>Kindhearted Woman Blues<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>La Vida breve, opera, G 35- Danza<\/td>\n<td>Sergi Vicente<\/td>\n<\/tr>\n<tr>\n<td>Last Kind Word Blues<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Last Train to Clarksville<\/td>\n<td>Monkees<\/td>\n<\/tr>\n<tr>\n<td>Liloa&#8217;s Mele<\/td>\n<td>Sonny Chillingworth<\/td>\n<\/tr>\n<tr>\n<td>Lily Rag<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Loves Me Like a Rock<\/td>\n<td>Alison Krauss<\/td>\n<\/tr>\n<tr>\n<td>Mac&#8217;s Boogie<\/td>\n<td>Dr. John<\/td>\n<\/tr>\n<tr>\n<td>Main Street Blues<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Maybellene<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<tr>\n<td>(MChapdelaine) Grapevine<\/td>\n<td>Michael Chapdelaine<\/td>\n<\/tr>\n<tr>\n<td>Memphis<\/td>\n<td>Lonnie Mack<\/td>\n<\/tr>\n<tr>\n<td>Midnight Rambler<\/td>\n<td>Rolling Stones<\/td>\n<\/tr>\n<tr>\n<td>Midnight Special<\/td>\n<td>Glen Campbell<\/td>\n<\/tr>\n<tr>\n<td>Mind Heist<\/td>\n<td>London Music Works<\/td>\n<\/tr>\n<tr>\n<td>Minute Waltz (No 4)<\/td>\n<td>Arthur Rubinstein<\/td>\n<\/tr>\n<tr>\n<td>Money, Money, Money<\/td>\n<td>ABBA<\/td>\n<\/tr>\n<tr>\n<td>Mule Skinner Blues<\/td>\n<td>Fendermen<\/td>\n<\/tr>\n<tr>\n<td>Music in the Air<\/td>\n<td>Gas House Gang<\/td>\n<\/tr>\n<tr>\n<td>My Dixie Darlin<\/td>\n<td>Nashville Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>My Old Man<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Night Train<\/td>\n<td>Buddy Morrow<\/td>\n<\/tr>\n<tr>\n<td>Non-Stop Boogie Pt1<\/td>\n<td>Preacher Jack<\/td>\n<\/tr>\n<tr>\n<td>Oculus ex Eterni<\/td>\n<td>Symphony X<\/td>\n<\/tr>\n<tr>\n<td>Oh Boy<\/td>\n<td>Buddy Holly<\/td>\n<\/tr>\n<tr>\n<td>Old Hymns<\/td>\n<td>Gas House Gang<\/td>\n<\/tr>\n<tr>\n<td>Old Time Rock &amp; Roll<\/td>\n<td>Bob Seger<\/td>\n<\/tr>\n<tr>\n<td>Ole Miss Rag<\/td>\n<td>Scott Joplin<\/td>\n<\/tr>\n<tr>\n<td>Over In The Gloryland<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Peaches And Cream<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Peggy Sue<\/td>\n<td>Buddy Holly<\/td>\n<\/tr>\n<tr>\n<td>Pepper Sauce<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Peter Gunn Theme<\/td>\n<td>Blues Brothers<\/td>\n<\/tr>\n<tr>\n<td>PHC Jug Band<\/td>\n<td>Prairie Home Companion<\/td>\n<\/tr>\n<tr>\n<td>Police Dog Blues<\/td>\n<td>Stefan Grossman<\/td>\n<\/tr>\n<tr>\n<td>Powderhouse Rag<\/td>\n<td>Jason Harrod<\/td>\n<\/tr>\n<tr>\n<td>Preacher Jack pt2<\/td>\n<td>Preacher Jack<\/td>\n<\/tr>\n<tr>\n<td>Proud Mary<\/td>\n<td>Creedence<\/td>\n<\/tr>\n<tr>\n<td>Put Your Brakes On<\/td>\n<td>John Campbelljohn<\/td>\n<\/tr>\n<tr>\n<td>Rabson Blue Boogie<\/td>\n<td>Ann Rabson<\/td>\n<\/tr>\n<tr>\n<td>Ragtime Band 53 sec<\/td>\n<td>G R Sol<\/td>\n<\/tr>\n<tr>\n<td>Ragtime_Piano<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Railroad Boy<\/td>\n<td>Goldebriars<\/td>\n<\/tr>\n<tr>\n<td>Raise the Devil<\/td>\n<td>Mary Flower<\/td>\n<\/tr>\n<tr>\n<td>Recuerdos de la Alhambra<\/td>\n<td>Christopher Parkening<\/td>\n<\/tr>\n<tr>\n<td>Rescue Me<\/td>\n<td>Fontella Bass<\/td>\n<\/tr>\n<tr>\n<td>Ring of Fire<\/td>\n<td>Johnny Cash<\/td>\n<\/tr>\n<tr>\n<td>Rip It Up<\/td>\n<td>Little Richard<\/td>\n<\/tr>\n<tr>\n<td>Route 66<\/td>\n<td>3 Men &amp; a Melody<\/td>\n<\/tr>\n<tr>\n<td>Sabre Dance<\/td>\n<td>Loris Tjeknavorian<\/td>\n<\/tr>\n<tr>\n<td>Sawmill Piano Men<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Sea Cruise<\/td>\n<td>Frankie Ford<\/td>\n<\/tr>\n<tr>\n<td>She&#8217;s Not There<\/td>\n<td>Zombies<\/td>\n<\/tr>\n<tr>\n<td>Shirt Tail Stomp<\/td>\n<td>Benny Goodman<\/td>\n<\/tr>\n<tr>\n<td>Shout for Albert<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Silver Bell<\/td>\n<td>Craig Ventresco<\/td>\n<\/tr>\n<tr>\n<td>Simple Gifts<\/td>\n<td>Muriel Anderson<\/td>\n<\/tr>\n<tr>\n<td>Sing, Sing, Sing<\/td>\n<td>Benny Goodman<\/td>\n<\/tr>\n<tr>\n<td>Sister Rosetta Goes Before Us<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Sitting on Top of the World<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Slow Boogie<\/td>\n<td>Preacher Jack<\/td>\n<\/tr>\n<tr>\n<td>Sogno Di Primavera<\/td>\n<td>Craig Ventresco<\/td>\n<\/tr>\n<tr>\n<td>Cumberland Gap<\/td>\n<td>Flatt &amp; Scruggs<\/td>\n<\/tr>\n<tr>\n<td>Spann&#8217;s Stomp<\/td>\n<td>Otis Spann<\/td>\n<\/tr>\n<tr>\n<td>Spikedriver Blues<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Spirit In The Sky<\/td>\n<td>Norman Greenbaum<\/td>\n<\/tr>\n<tr>\n<td>Statesboro Blues<\/td>\n<td>Roy Bookbinder<\/td>\n<\/tr>\n<tr>\n<td>Stayin&#8217; Alive<\/td>\n<td>Bee Gees<\/td>\n<\/tr>\n<tr>\n<td>Stompin on the Rapahannock<\/td>\n<td>Leo Kottke<\/td>\n<\/tr>\n<tr>\n<td>Sugar Babe<\/td>\n<td>Mark Spoelstra<\/td>\n<\/tr>\n<tr>\n<td>Sun Flower Slow Drag<\/td>\n<td>Brent Watkins<\/td>\n<\/tr>\n<tr>\n<td>Sunday Street<\/td>\n<td>Dave Van Ronk<\/td>\n<\/tr>\n<tr>\n<td>Surfin&#8217; USA<\/td>\n<td>Beach Boys<\/td>\n<\/tr>\n<tr>\n<td>Sweet Georgia Brown<\/td>\n<td>Doc Watson<\/td>\n<\/tr>\n<tr>\n<td>Sweet Home Chicago<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Sweet Little 16<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<tr>\n<td>T S Eliot Society Rag<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>Take a Chance on Me<\/td>\n<td>ABBA<\/td>\n<\/tr>\n<tr>\n<td>Take your burden to the Lord<\/td>\n<td>Prairie Home Companion<\/td>\n<\/tr>\n<tr>\n<td>Teen Beat<\/td>\n<td>Sandy Nelson<\/td>\n<\/tr>\n<tr>\n<td>Tequila &amp; Green Onions<\/td>\n<td>Pat Donohoe<\/td>\n<\/tr>\n<tr>\n<td>That Cherry Rag<\/td>\n<td>Trebor Tichenor<\/td>\n<\/tr>\n<tr>\n<td>The Double Eagle<\/td>\n<td>Country Gentlemen<\/td>\n<\/tr>\n<tr>\n<td>The Down Home Blues<\/td>\n<td>Eubie Blake<\/td>\n<\/tr>\n<tr>\n<td>Think<\/td>\n<td>Katharine McPhee<\/td>\n<\/tr>\n<tr>\n<td>Think It Over<\/td>\n<td>Buddy Holly<\/td>\n<\/tr>\n<tr>\n<td>Tobasco<\/td>\n<td>Ragtime Skedaddlers<\/td>\n<\/tr>\n<tr>\n<td>Trouble in Mind<\/td>\n<td>unknown<\/td>\n<\/tr>\n<tr>\n<td>Turkey Knob<\/td>\n<td>Country Gentlemen<\/td>\n<\/tr>\n<tr>\n<td>Tuxedo Junction<\/td>\n<td>Manhattan Transfer<\/td>\n<\/tr>\n<tr>\n<td>Tweedlee Dee<\/td>\n<td>LaVern Baker<\/td>\n<\/tr>\n<tr>\n<td>Two of a Kind<\/td>\n<td>Pat Donohoe &amp; Mike Dowling<\/td>\n<\/tr>\n<tr>\n<td>Unchain My Heart<\/td>\n<td>Ray Charles<\/td>\n<\/tr>\n<tr>\n<td>Walk (Back to Your Arms)<\/td>\n<td>Tami Neilson<\/td>\n<\/tr>\n<tr>\n<td>Walkin n Squawkin<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Waltz in A-flat (Brahms)<\/td>\n<td>Chet Atkins<\/td>\n<\/tr>\n<tr>\n<td>West Virginia (gospel)<\/td>\n<td>Prairie Home Companion<\/td>\n<\/tr>\n<tr>\n<td>What&#8217;d I Say<\/td>\n<td>Ray Charles<\/td>\n<\/tr>\n<tr>\n<td>Wheels<\/td>\n<td>String-A-Longs<\/td>\n<\/tr>\n<tr>\n<td>When You Want &#8216;Em<\/td>\n<td>George Gershwin<\/td>\n<\/tr>\n<tr>\n<td>When You&#8217;re Next To Me (Album Version)<\/td>\n<td>Mitch &amp; Mickey<\/td>\n<\/tr>\n<tr>\n<td>Whole Lotta Shakin&#8217; Goin&#8217; On<\/td>\n<td>Jerry Lee Lewis<\/td>\n<\/tr>\n<tr>\n<td>Will The Circle Be Unbroken<\/td>\n<td>Broken Circle Bluegrass Band<\/td>\n<\/tr>\n<tr>\n<td>Yakety Yak<\/td>\n<td>Coasters<\/td>\n<\/tr>\n<tr>\n<td>Yancey On State Street<\/td>\n<td>Carl Sonny Leyland<\/td>\n<\/tr>\n<tr>\n<td>Yonder Come the Blues<\/td>\n<td>Lisa Biales<\/td>\n<\/tr>\n<tr>\n<td>You Never can Tell<\/td>\n<td>Chuck Berry<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>One last note: my playlists change regularly. If you&#8217;d seen them three years ago, they&#8217;d have been quite different. In three years, they will also have changed. I&#8217;m not claiming that this list represents a final realization of the unquestioned best in music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Musical taste is personal, of course, and beyond dispute, although it can be fun to argue about it. I like to tell people that rock &#8216;n&#8217; roll ended in 1968 and nothing after that was rock and none of what was called rock was worth listening to. That usually gets a strong response. 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